![]() Five seconds later, Whalley heard "a loud thud", and turned to see Julia's body "flying through the air"-Julia's body landed about 100 feet from where she had been hit. At about 9:30, Whalley left her and she crossed the road to the central reservation between the two traffic lanes, which was lined with hedges that covered disused tram tracks. Whalley accompanied Julia to the bus stop further down Menlove Avenue, with Julia cracking jokes along the way. ![]() Lennon was not there, as he was staying at Julia's house in Blomfield Road. On the evening of 15 July 1958, Nigel Whalley went to visit Lennon and found Julia and Mimi talking by the front gate. Julia visited Mimi's house nearly every day, where they would chat over tea and cakes in the morning room or stand in the garden when it was warm. Julia continued teaching The Beatles (known as The Quarrymen in that time) new chords everyday, until her death in 1958. Her musical abilities were to impress the young Paul McCartney too. A keen banjo player she taught John to play 'That'll Be The Day' on banjo. Julia was to influence John greatly in his interest and ability in music. On Janother baby, Victoria Lennon (John Lennon's lost sister) was born and was adopted by a Norwegian family, since then, the baby was never seen until 2009 when Victoria told the press that she was John Lennon's lost brother. When John was born, Julia's father was very strict and insisted to have the baby adopted or leave the house, since then John Lennon went to live with Julia's childless sister, Mimi, who was 'Aunt Mimi' to John Lennon. She married a soldier boy, Alfred "Freddie" Lennon in December 3, 1938. Noticing that the driver’s breath smelled strongly of drink, and that his speech was slurred, the policeman asked him to get out Dykins opened the door and fell out, and had to be helped to his feet.Julia Stanley Lennon was the mother of a former beatle, John Lennon. The constable got to the road and flashed a torch, signalling him to stop, but Dykins drove on and came to a halt further along Vale Road. Dykins should have turned right at the lights but, seeing the policeman, shot left, and the car mounted the reservation between Menlove Avenue and Vale Road. Though the car was going at normal speed, its engine was racing. ![]() He was driving drunk along Menlove Avenue, just beyond Mendips, when he was observed by a constable walking his beat. Just after midnight on Friday June 20 1958, however, half an hour into Saturday morning, his luck ran out. All would remain lifelong favourites… but it was rock and skiffle that dominated John’s mind, to the point where he formed his own group, the Quarry Men, with boys mostly from school.Īs an alcoholic with a restaurant job in the city, Bobby Dykins had been courting trouble for years, driving home to the southern suburbs in the early hours. Julia showed him how to play at least four sweet songs from her youth: Don’t Blame me (1933), Little White Lies (1930), Ramona and Girl of my Dreams (both 1927). His hands-on musical education also had balance. And he could really sing his was a voice that came naturally and honestly. John would call it “the first song I was able to accompany myself on”, those words relating a vital dimension to Julia’s teaching: without the harmonica, John was free to sing along with the chords his fingers were forming. The first song she showed him was Ain’t That a Shame, not Fats Domino’s original recordingbut a safe white cover version by Pat Boone, the one she knew from the radio. He didn’t have one, but Julia taught him to play banjo. In 1956, with the coincidental arrival of both rock and skiffle in the lives of young British boys, John became obsessed with the guitar.
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